剧情简介
康沃尔(🍅)渔村的风(fēng )景(jǐng )明信片田园诗误导了(le )人(🌰)们。虽然(rán )过去钓鱼是(🤢)一种(zhǒng )养家糊口的(de )方式，但如(rú )今富有(🗼)的伦(lún )敦游客纷纷(🌫)下山，取(qǔ )代了(le )当地人(rén )，当(dāng )地人的生计(🔸)因(yīn )此(🎩)受到(dào )威(🛍)胁。史蒂文(wén )和马(✳)丁(dīng )兄弟的关(guān )系也(yě )很(🕌)紧张。马(🎫)丁是一个没有船(😻)的(de )渔夫，因为史蒂文开(kāi )始用它(tā )来为一(📎)整天(🚣)的游客提(📯)供更(gèng )赚钱(qián )(😞)的旅游。他们(🌑)卖(🎛)掉(diào )了(㊗)这(zhè )(🥎)座家庭别(bié )(🙂)墅，现(✋)在看(kàn )来，最后一场战斗是和新主人在海(hǎi )(🍄)边的停车(chē )位上展开。然而(ér )(😍)，情况很快就失控(kòng )了，而不仅仅是因为车轮(lún )夹钳。 Bait是一(💍)种黑白，手工制作，16毫(háo )米胶片制作的电影。许(xǔ )多关于(🔈)鱼、网、龙虾、长(zhǎng )靴(🔍)、绳(🤥)结和渔篮的特(tè )(📸)写镜(🔷)头(tóu )让人(💸)想起(qǐ )了蒙太(🔞)奇景点的理论。对不同(tóng )社(🖍)会(huì )阶(💣)层(céng )的描述(📞)—(⏳)—可以(🎐)说是阶(jiē )级关系——也(🚻)让人想起(qǐ )了英国电影中(zhōng )的社(📬)会现实(shí )主(zhǔ )义传统。然而，最(zuì )(💁)重(🈺)要的是，在(🈳)影像中不(bú )同层次的电(🐌)影历史参(👼)考文献之下(xià )，当前许多政治关联正在(🐇)等(děng )(♊)待被发现。 (🏆) The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. (🧒) Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎲) one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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